One time a reporter asked me to tell them how many photos I’ve seen in my career. I’m simply not able to estimate that number. As a picture person, I look at client images, ones for my collection, and then the ones I use for research purposes. Suffice to say I’ve looked at more images in my life than I can say. That means it’s a rare photo that makes me go, “What?!” Yet that’s exactly what I said when William Samland showed me two images.
Here’s the first one. It’s his great grandfather. It’s a lovely studio shot of a man in work clothes. Nothing unusual except for the way he wears his watch fob on his hips.
It was the next image that made me go hmm.
It appears that George (or his family) wanted a more formal image of him so they took the first picture to a studio and had them alter it. It’s now a crayon portrait and instead of work clothes George is wearing a suit. Perhaps he went to the same studio a second time, but there is something about this image that makes me think he didn’t. Look closely.
There are a couple of differences. The artist thinned George’s mustache. It’s not unusual to see artistic changes in a crayon sketch.
It’s the same exact pose, chair and background. So were they both created in the same time frame. It’s possible. Crayon portraits like this had stylistic differences depending on when they were made. If the first picture was taken in the 1890s then George would be in his thirties. The color tone of the photo and the background suggests that. The chair is out of the mid 1860s but studios often held on to props. There is no photographer listed on either image.
While this isn’t the first time I’ve seen a double like this, this set is particularly nice. Thank you to Bill Samland for letting me feature his image in this post.
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